Saturday, November 24, 2012

Online art Diary (week 9) (GE1302 Science of Art)


The Distributed Legible City (1998), Jeffrey Shaw


(http://www.jeffrey-shaw.net/html_main/frameset-works.php)


Jeffrey Shaw is a media artist who was one of the pioneers of the interactivity and virtuality in his advanced technological installations. The Distributed Legible City (1998) is an improvement of Jeffrey’s previous installation work: The Legible City (1989). Three were three versions of it. They were all the transformation of real world cities to computer graphic virtual cities, which means the map of the city was based on real ground plans of some existing cities in our world. The respective three versions were Manhattan, Amsterdam and Karlsruhe.
 
The Legible City is a “readable” city that comprised of letters, words and phrases which were the major components of the buildings in the virtual city. It is a textual formation world. The images were projected on a large screen in front of a real bicycle. Audience can travel around the three-dimensional city by “riding” on it. As the handlebar and the pedals were the direction and speed controllers, audience have to continue doing physical movement on the bike in order to drive the bike to move forward or turn left and right in the virtual city. Audience can go anywhere in the virtual cities and see the textual landscape while passing through street by street. In this new version of Legible City, the letters (buildings) are not meaningless anymore; they have the particular meaning referring to the real architectures itself. Also, the letters are scaled to the actual proportion of its reference buildings so that it could reflect the actual appearance of the real city. Besides, the new Legible City allows more than two persons to take part in the travel. Travelers could meet each other in some places and share their experiences through conversation, just like an online game nowadays.
 
I really love this art work as it was revealing the progression of technology and the idea of “letter city”. In the late 1990s, people started to link each other by using computer network; Jeffrey applied this kind of technology in 3D environment. It indicated today’s internet world. Moreover, he provided an unusual way for us to experience the extraordinary travel in those cities that people used to familiar with. Apart from the impressive visual effect brought by the perspective of 3D computer graphic environment, Audience only see the letters instead of buildings standing alongside the road, they can also enjoy drifting anywhere of the city in order to browse and explore the meanings of the textual architecture. The Legible City give audience a complete different angle and view to look at the world that they have lived for a long time. Then they are able to share their little discovery with the other participants. This is the most interesting part of the work.
 
This installation work cannot be finished without the participation of audience. It is not just an artwork or an experiment of computer science, but also about the humanity. It implies the inseparable between human and science in future. Perhaps some days the virtual world would become a part of our reality. And now we all have a second identity (maybe more) in the internet world.


AguaSonic Acoustics—seeing sound in the sea
 
Audio:http://www.newscientist.com/data/av/audio/article/mg20527452.200/atlantic_spotted.mp3


Audio:http://www.newscientist.com/data/av/audio/article/mg20527452.200/white_beaked.mp3
The pictures above are the visualized sound of whales and dolphins created by Mark Fischer, who is an acoustic engineer and also a president of Nova Engineering. I extracted two of the audios and its reference image for simply introducing the AguaSonic Acoustics. He recorded the high quality of biological sound and then processed them to image from AGUASONIC®, which can convert sound to image by using the mathematics of wavelet, designed by Mark.
The first image of sound produced by an Atlantic spotted dolphin recorded near the Azores. We can hear both the clicking sound and whistling sound in the spotted dolphin audio. Then, the beautiful sketchy blue flower shape comes out. The second one and the third one generated by the same source of white-beaked dolphins recorded near Iceland. We can hear the regular clicking sound in the audio. The images are also radiate shape but the second one is more like a flower then the spotted dolphin’s image of sound. It is because Mark produced it in a much more complex way. He piled up the sound clips and then rotated them. He also changed the sizes of different sound clip. Finally, he made this fabulous work. He even thinks that it is an ‘artistic license taken to the extreme’.
Transforming sound into visible images is really a wonderful idea. Can you imagine that you can ‘see’ the sound? In the classes, I learnt the very basic knowledge about sound such as how objects create sound and how people hear sound. Sound wave can be shown on paper in the mathematic graph. This can be a kind of ‘visualizing sound’. I remember that in a TV series called Heroes, there is a girl who can actually see the colorful sound waves dancing in the air. When I was watching the scenes, I was quite jealous of her ability. Although I don’t have the superpower, now I can appreciate the image of sound. I don’t mean the boring curves drawn on graphs, but the varied and colorful image of sound generated by AGUASONIC®. I look at those beautiful pictures and listen to its reference dolphin singing at the same time. I can imagine how dolphins and whales sing in the dark and mysterious sea and how the vibration of sound creates ripples as if the three radiate floral images shown above.
Auguasonic reminds me of John Whitney’s work: Permutation (1966) (http://www.youtube.com/watch?v=BzB31mD4NmA). The color dots would develop patterns while playing kinetic rhythm in music. When we listen to music through computer software such as Window Media Player; we can also enjoy the visual effects. Those ‘visible’ sounds encourage me a lots to explore more in both vision and sound.
 
Other sources:
http://www.markfischer.net/index7.aspx
http://www.newscientist.com/gallery/whalesong-art

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